Without followers, evil cannot spread.

Which is probably the reason why I work exclusively in black and white... to highlight that contrast.

For me it's all about personal vision; is there something about a subject that uniquely speaks to me.

Where there is no emotion, there is no motive for violence.

Essentially, in photography, I think on two levels: one emotional and the other technical. The emotional impact has to do with looking for something dramatic happening in the photograph, something that reaches out and touches somebody in some way. And the technical is having to do with composition and framing - light and dark, light and shadow.

These are beautiful days. Folks ask what I'm doing. I tell them I'm doing family.

My dream concept is that I have a camera and I am trying to photograph what is essentially invisible. And every once in a while I get a glimpse of her and I grab that picture.