My first date was with a girl named Cessi. We'd had a beautiful relationship over the phone all summer long. Then she came home and we met to go out for the first time to the movies. When I saw her I was petrified. I couldn't even look her in the eye to talk to her.

It's interesting in this day and age to do a film about political espionage and wiretapping. I don't think that those types of secrets that J. Edgar Hoover was able to obtain and keep for such a long period of time would be possible in today's world, with the Internet and WikiLeaks.

If you can do what you do best and be happy, you're further along in life than most people.

We [ with Russel Crowe] had an Arabic coach there [ in the Body of Lies] that was really helpful, because it was more so than any accent. You have to be so exact, and there's different dialects of Arabic from country to country so it was really, really difficult to tell you the truth. And one of the hardest things I've ever had to do language-wise, because it comes from the throat. It's different. And also learning about the customs and the culture and all that, so we had advisors for that sort of thing.

I don't think my parents would be shocked about anything I did, because they're so laid-back.

Our planet's alarm is going off, and it is time to wake up and take action!

That's the magic of moviemaking. You clearly identify one scenario with the other, and it's a completely different experience.