That's the magic of moviemaking. You clearly identify one scenario with the other, and it's a completely different experience.

I have the same problem as Edward Furlong. I'm so thin!

It was invaluable to have a dear friend who you have known for over a decade, be a partner in a film like Titanic. To have somebody that talented to work against, who's also your friend and who you know you have the best intentions for and vice versa, and who you intrinsically trust to give you their forthright honest opinion about what we're both doing - all that's something you can't really buy.

I like doing things that scare me. I went bungee jumping, but sky diving is just the sickest thing.

I'm not a big dreamer. I never have been. I remember fragments of my dream, and I try to take a traditional sort of approach to researching this project and doing preparation for it.

[Success] always starts with the material; it always starts with the truth and honesty of the characters that you read in the screenplay and that's rarely something that can be remedied if it's simply not there by the time you shoot the film. Thank God we had that.

I just want to keep doing what I'm doing and hopefully people will watch my movies.