You never know as a director what other directors do. Because you don't get to see what they do.

At some point in your career, someone is going to tell you, "This stove is hot. Do not touch this stove." And the weird thing is, you'll want to touch it. But resist that urge, man.

I became an actor at a very young age, but I also had a deep respect for nature and I think I was sort of a little biologist when I was younger. I watched documentaries on rainforest pollution and the loss of species and habitats for animals around the world. It affected me in a very hardcore, emotional way when I was younger. So, later in life I wanted to continue that path more and investigate and learn more about ecological issues.

I'm open to doing any kind of role and any kind of genre as long as it's interesting and as long as I feel it could be a great character to play. I never take into my own personal opinions or my own public image into account when I chose movie roles.

It's interesting in this day and age to do a film about political espionage and wiretapping. I don't think that those types of secrets that J. Edgar Hoover was able to obtain and keep for such a long period of time would be possible in today's world, with the Internet and WikiLeaks.

Our oil-based society depends on non-renewable resources. It requires relentless probing into vast reaches of pristine land, sacrificing vital bioregions, and irreplaceable cultures. The possibility of catastrophic climate change is substantially increased by the 40 million barrels of oil burned every day by vehicles. We must all move shoulder to shoulder in a unified front to show this administration that the true majority of people are willing to vote for a cleaner environment and won't back down.

If a film is good, and I'm sort of able to sit there and absorb myself within that world. And get lost. That is a pretty powerful tool. And there's not many paintings out there, that make me want to stare at it for hours at a time, and wonder where I am!