I don't think there's a specific science you can put on dream psychology. I think that it's up to the, obviously, the individual.

We are facing a tipping point of environmental crisis unprecedented in human history and our very survival is dependent on protecting nature.

It was closer to manual labor than shooting a film. I always think of something Michael Caton-Jones told me: 'Pain is temporary. Film is forever.'

The Gatsby that I remember reading when I was 15 years old in junior high school was far different from the Gatsby I read as an adult.

It's amazing to completely focus on something for four, five or six months, have it completely consume your life and be constantly thinking about somebody else's set of circumstances and how they would react to something. I find it fascinating. It's rewarding and on a professional and personal level.

I've managed to keep a clear head and remain sane in this business because I remain a kid off-camera.

We actually did a lot of takes on this movie [J. Edgar Hoover]. I never left the set wanting more. That's for sure. I don't know. This was a very difficult character for me and a lot of the other actors here, and at times we went and did 8 or 9 or 10 takes on a single day.