Will this coffee get me an Oscar?

If a film is good, and I'm sort of able to sit there and absorb myself within that world. And get lost. That is a pretty powerful tool. And there's not many paintings out there, that make me want to stare at it for hours at a time, and wonder where I am!

Me, I still believe in paradise. But now at least I know its not some place you can look for because its not where you go. It’s how you feel for a moment in your life when you’re a part of something and if you find that moment, it lasts forever.

One of my passions is to meet people and then imitate them. I love doing that.

It was closer to manual labor than shooting a film. I always think of something Michael Caton-Jones told me: 'Pain is temporary. Film is forever.'

I didn't even know what I did in 'What's Eating Gilbert Grape'. I just went off with whatever I felt instinctually without a second thought.

We [ with Russel Crowe] had an Arabic coach there [ in the Body of Lies] that was really helpful, because it was more so than any accent. You have to be so exact, and there's different dialects of Arabic from country to country so it was really, really difficult to tell you the truth. And one of the hardest things I've ever had to do language-wise, because it comes from the throat. It's different. And also learning about the customs and the culture and all that, so we had advisors for that sort of thing.