My films start with images, a few images and a few feelings, and I try to edit them together to see the correspondence between these images and these feelings.

I thank Henry James for the scene in the hotel room, that I stole from Portrait Of A Lady… This particular scene is the most beautiful scene ever written.

I care about cinema even though I haven't made many films.

Even a fiction film is hard to end. You can going on shooting and editing a documentary forever.

The film is therefore a form of science fiction, in which humans, beasts and machines are on the verge of extinction - 'sacred motors' linked together by a common fate and solidarity, slaves to an increasingly virtual world. A world from which visible machines, real experiences and actions are gradually disappearing.

I'm not only my films, but I'm pretty much my films.

We all get a little tired of being ourselves sometimes. The answer is to reinvent yourself, but how do you do that and what is the cost?