I played an artist in a comedy called 'Rooster.' It was a zany film by Glen Larson, a friend who produced several successful television series including 'Magnum PI.

Boxing is my real passion. I can go to ballet, theatre, movies, or other sporting events... and nothing is like the fights to me. I'm excited by the visual beauty of it. A boxer can look so spectacular by doing a good job.

But 'Playboy' was liberating. I was drawn to it and went for it full throttle.

I've got the public. I don't care about the critics. I did at one time. I don't any more. I did when I needed compliments. But if you get a lot of compliments, you don't need a critic to tell you, 'This should be done another way.'

The big shock of my life was Abstract Expressionism - Pollock, de Kooning, those guys. It changed my work. I was an academically trained student, and suddenly you could pour paint, smear it on, broom it on!

I had a go at changing history - maybe not all by myself - I fought at the battle of Normandy, I slogged through the Ardennes, and I celebrated the liberation of Paris on the streets with beautiful French girls throwing flowers at me. I said good-bye to my first true love and discovered what I really wanted to do with my life.

I've met and sketched most of the great athletes from the past five decades and their movement, grace and energy have kept me captivated over the years. That's what the ancient Greeks first saw and that's what caught my interest.