Well, thats the secret of commerciality, a simple style and you stick with it.
I did the Broadway album unfortunately in a year when there were no hits.
I was working all the time I was in college. I was working so much that I could hardly do my college work.
Under my contract with Capitol, I have complete freedom to do just about anything I want in my own way.
I love doing concert music.
In a sense, a hit belongs to the person who made it popular, but if a tune is good enough to attain tremendous success, then it certainly deserves more than one version, one treatment, one approach.