I think the most important thing about playing is to walk out with confidence, look the people right in the eye and say 'Here I am,' and go and do your thing. As soon as they know you're confident, they're confident. As long as you adjust to them you're not in trouble. You should eyeball them, find out what they want, and give it to them. They didn't pay to come out and look at the tapestries.

I think the most important thing about playing is to walk out with confidence, look the people right in the eye and say 'Here I am,' and go and do your thing. As soon as they know you're confident, they're confident. As long as you adjust to them you're not in trouble. You should eyeball them, find out what they want, and give it to them. They didn't pay to come out and look at the tapestries.

Every setback might be the very thing that makes you carry on and fight all the harder and become much better.

Paint pictures with sound. First, find your white-the deepest, roundest sound you can play on the guitar. Then, find your black-which is the most extreme tonal difference from white you can play. Now, just pick the note where you've got white, pick it where you've got black, and then find all those colors in between. Get those colors down, and you'll be able to express almost any emotion on the guitar.?

To this day, no one has come up with a set of rules for originality. There aren't any.

I never stop being amazed by all the different ways of playing the guitar and making it deliver a message.

If I have to go around telling everyone how great I am, then there's something wrong with my act.