Because I believe that the future of the music lies in the Internet. It can be sold on the Internet.

Jazz groups have to make a living any way.

Because people really got tired, too, of the same old formatted sort of thing, and the same old formatted music.

We expect the listener to have, like, a movie going on when they hear us. That's what it's all about for us.

I always tell my students when you're going to be a jazz musician the first thing you've got to do is be a professional musician, and that means you have to feed yourself with the instrument.

What I've been trying to do for years is to get the music played on a station other than jazz stations, you know, to expand the audience.

You would think that anyone on a major label would be doing something, but when you speak of major label that means something to maybe a big pop star that might be getting some sort of benefit from the major. But we still don't get anything.