Most people are blind to magic. They move thru a blank and empty world. They’re bored with their lives and there’s nothing they can do about it. They’re eaten alive by longing and they’re dead before they die.

I feel that's one of the central questions of fantasy. What did we lose when we entered the 20th and 21st century, and how can we mourn what we lost, and what can we replace it with? We're still asking those questions in an urgent way.

I'm a fantasy writer. I don't do SF. This is important to me. If you're not clear on what genre you're in, everything gets muddled, and it's hard to know which rules you're breaking.

His crush went from exciting to depressing, as if he'd gone from the first blush of infatuation to the terminal nostalgia of a former lover without even the temporary relief of an actual relationship in between.

Every year the literary press praises dozens if not hundreds of novels to the skies, asserting explicitly or implicitly that these books will probably not be suffering water damage in the basements of their authors' houses 20 years from now. But historically, anyway, that's not the way the novelistic ecology works.

It didn’t matter where you were, if you were in a room full of books you were at least halfway home.

I feel very conscious of my influences. T.H. White is very important for me.