It might be more useful, if not necessarily more true, to think of photography as a narrow, deep area between the novel and film.

Digital technology, you see, is not the villain here. It simply offers another dimension. I'm not sure if it's a farther remove from reality than analogue. I think if we can speak of reality, if reality and representation can be spoken of in the same sentence, if reality even exists any more, digital is simply another way of encoding that reality.

The photobook occupies that deep area between the novel and the film.

I believed it was necessary to investigate photography, dismantle it, jettison all the non-essential components, and begin again with a stripped down but more powerful idea of what is, or could be photographic.

The ideal photographic document would appear to be without author or art.

It might be more useful, if not necessarily more true, to think of photography as a narrow, deep area between the novel and film.

I used photography to distance myself from a world that I loathed and was powerless to improve.