It might be more useful, if not necessarily more true, to think of photography as a narrow, deep area between the novel and film.

I wanted [my photography] to appear as though the camera was seeing by itself.

I was living in Monterey, a place where the classic photographers - the Westons, Wynn Bullock and Ansel Adams - came for a privileged view of nature. But my daily life very rarely took me to Point Lobos or Yosemite; it took me to shopping centers, and gas stations and all the other unhealthy growth that flourished beside the highway. It was a landscape that no one else had much interest in looking at. Other than me.

I used photography to distance myself from a world that I loathed and was powerless to improve.

The ideal photographic document would appear to be without author or art.

It might be more useful, if not necessarily more true, to think of photography as a narrow, deep area between the novel and film.

Digital technology, you see, is not the villain here. It simply offers another dimension. I'm not sure if it's a farther remove from reality than analogue. I think if we can speak of reality, if reality and representation can be spoken of in the same sentence, if reality even exists any more, digital is simply another way of encoding that reality.