Seeing is believing, and if an American success is to count for anything in the world it must be clothed in the raiment of property. As often as not it isn't the money itself that means anything; it is the use of money as the currency of the soul.

[For American consumer society], the country's reserves of ignorance constitute a natural resource as precious as the Mississippi River or the long-lost herds of buffalo.

Talk about the flag or drugs or crime (never about race or class or justice) and follow the yellow brick road to the wonderful land of consensus. In place of honest argument among consenting adults the politicians substitute a lullaby for frightened children: the pretense that conflict doesn't really exist, that we have achieved the blessed state in which we no longer need politics.

From authors whom I read more than once I learn to value the weight of words and to delight in their meter and cadence -- in Gibbon's polyphonic counterpoint and Guedalla's command of the subjunctive, in Mailer's hyperbole and Dillard's similes, in Twain's invectives and burlesques with which he set the torch of his ferocious wit to the hospitality tents of the world's colossal humbug . . . I know no other way out of what is both the maze of the eternal present and the prison of the self except with a string of words.

Whether lawyer, politician or executive, the American who knows what's good for his career seeks an institutional rather than an individual identity. He becomes the man from NBC or IBM. The institutional imprint furnishes him with pension, meaning, proofs of existence. A man without a company name is a man without a country.

The more prosperous and settled a nation, the more readily it tends to think of war as a regrettable accident; to nations less fortunate the chance of war presents itself as a possible bountiful friend.

I begin to understand that failure is its own reward. It is in the effort to close the distance between the work imagined and the work achieved wherein it is to be found that the ceaseless labor is the freedom of play, that what’s at stake isn’t a reflection in the mirror of fame but the escape from the prison of the self.