As for the various kinds of montage photography, they are in reality not photography at all but a kind of painting in which photography is used - as pastiches of textiles are used in crazy-quilts - to form a mosaic. Whatever value the montage may have derives from painting rather than the camera.

Each one of us, as long as life stirs is us, may play a part in extricating ourselves from the power system by asserting our primacy as people in quiet acts of mental or physical withdrawal-in gestures of non-conformity, in abstentions, restrictions, inhibitions, which will liberate us from the domination of the pentagon of power.

A multitude of uniform, unidentifiable houses, lined up inflexibly, at uniform distances, on uniform roads, in a treeless communal waste, inhabited by people of the same class, the same income, the same age group, witnessing the same television performances, eating the same tasteless prefabricated foods, from the same freezers, conforming in every outward and inward respect to the common mold.

Faith in the creative process, in the dynamics of emergence, in the values and purposes that transcend past achievements and past forms, is the precondition of all further growth.

Nothing about his life is more strange to [man] or more unaccountable in purely mundane terms than the stirrings he finds in himself, usually fitful but sometimes overwhelming, to look beyond his animal existence and not be fully satisfied with its immediate substance. He lacks the complacency of the other animals: he is obsessed by pride and guilt, pride at being something more than a mere animal, built at falling short of the high aims he sets for himself.

Every generation revolts against its fathers and makes friends with its grandfathers.

Safety razors make it hard to grow beards in America: America would be a better place if there were a few bearded, savage, terrible old men.