Unable to create a meaningful life for itself, the personality takes its own revenge: from the lower depths comes a regressive form of spontaneity: raw animality forms a counterpoise to the meaningless stimuli and the vicarious life to which the ordinary man is conditioned. Getting spiritual nourishment from this chaos of events, sensations, and devious interpretations is the equivalent of trying to pick through a garbage pile for food.

Everyone aimed at security: no one accepted responsibility. What was plainly lacking, long before the barbarian invasions had done their work, long before economic dislocations became serious, was inner go. Rome’s life was now an imitation of life: a mere holding on. Security was the watchword – as if life knew any other stability than through constant change, or any form of security except through a constant willingness to take risks

Integration proceeds by just the opposite route: a deliberate heightening of every organic function; a release of impulses from circumstances that irrationally thwarted them; richer and more complex patterns of activity; an esthetic heightening of anticipated realizations; a steady lengthening of the future; a faith in cosmic perspectives.

Order and creativity are complementary.

Not sense data or atoms or electrons or packets of energy, but purposes, interests, and meanings, constitute the underlying facts of human experience.

Architecture is either the prophecy of an unformed society or the tomb of a finished one.

Iron and coal dominated everywhere, from grey to black: the black boots, the black stove-pipe hat, the black coach or carriage, the black iron frame of the hearth, the black cooking pots and pans and stoves. Was it a mourning? Was it protective coloration? Was it mere depression of the senses? No matter what the original color of the paleotechnic milieu might be it was soon reduced by reason of the soot and cinders that accompanied its activities, to its characteristic tones, grey, dirty-brown, black.