War is the supreme drama of a completely mechanized society.

Order and creativity are complementary.

Organic planning does not begin with a preconceived goal; it moves from need to need, from opportunity to opportunity, in a series of adaptations that themselves become increasingly coherent and purposeful, so that they generate a complex final design, hardly less unified than a pre-formed geometric pattern.

A multitude of uniform, unidentifiable houses, lined up inflexibly, at uniform distances, on uniform roads, in a treeless communal waste, inhabited by people of the same class, the same income, the same age group, witnessing the same television performances, eating the same tasteless prefabricated foods, from the same freezers, conforming in every outward and inward respect to the common mold.

The chief function of the city is to convert power into form, energy into culture, dead matter into the living symbols of art, biological reproduction into social creativity.

Life is the only art that we are required to practice without preparation, and without being allowed the preliminary trials, the failures and botches, that are essential for the training...

The philosophers of industrialism, from Bacon to Bentham, from Smith to Marx, insisted that the improvement of man's condition was the highest requirement of morality. But in what did the improvement consist? The answer seemed so obvious to them that they did not bother to justify it: the expansion and fulfillment of the material wants of man, and the spread of these benefits, from the few who had once preempted them, to the many who had so long lived on the scraps Dives had thrown into the gutter.