It is something wonderful when one can love another author. That happens so rarely, without any kind of misgivings that authors often have between each other. It is a good fortune, when you can adore, when you can love, when you can find something so magnificent.

To me the truth comes first and then the literature. We in China are dealing with a dictatorial system and we writers have to take a stance on it.

Two years ago I was on the train from Berlin to Frankfurt when I heard that the Nobel Peace Prize had been awarded to my close friend, the writer Liu Xiaobo, who is imprisoned in China. To me it was confirmation that universal values and a moral code do exist, and that the point of the Nobel Prize is to encourage writers to stand up for this moral code. Last Thursday I was once again on the train from Berlin to Frankfurt when I heard that the Nobel Prize for Literature had gone to Mo Yan. He is a state poet. I am utterly bewildered. Do these universal values not exist after all?

It is something wonderful when one can love another author. That happens so rarely, without any kind of misgivings that authors often have between each other. It is a good fortune, when you can adore, when you can love, when you can find something so magnificent.

If you are going to stick to the truth then you need to keep your distance from the Chinese government and indeed to any form of politics, including the politics of democratic countries.

A good novelist loves all of his characters, he lives in them, even in those who commit or must commit terrible acts.

I have been living in Germany for one year and my impression is that people here are on a quest for the truth, they have come to terms with the injustices of the past, there are memorial centers and remembrance projects. Germany is my spiritual home.