It's only his thumb brushing slowly across the lower edge of my lip, but it's as if time slows and the sweep of that thumb below my mouth takes forever. It is no spell that I know of, but it holds such magic, I can scarcely breath. He pulls his hand away fast, aware of what he's done. But his touch lingers.

I'm floating inside my skin. I could go on floating like this for days. Right now, the real world with its heartbreak and disappointments is just a pulse against the protective membrane we've drunk ourselves into. It's somewhere outside us, waiting." A Great and Terrible Beauty, Page 141, by

Didn't you have any sadistic nannies who told you these tales to keep you quiet and well behaved at night? Heavens, what's to become of the Empire if governesses have lost their touch for scaring the wits out of their girls?

It's as if I've inherited a skin I cannot quite fit, and so I walk about constantly pulling and and tugging, pinning and pruning, trying desperately to fill it out, hoping that no one will look at me struggling and say, 'That one there- she's a fraud, Look how she doesn't fit at all.

It's possible to pretend I'm someone other than who I am, and if I pretend long enough, I can believe it.

Gemma, you see how it is. They've planned our entire lives, from what we shall wear to whom we shall marry and where we shall live. It's one lump of sugar in your tea whether you like it or not and you'd best smile even if you're dying deep inside. We're like pretty horses, and just as on horses, they mean to put blinders on us so we can't look left or right but only straight ahead where they would lead. Please, please, please, Gemma, let's not die inside before we have to.

Forget your pain. It was what I said when I took Father's hand in the drawing room yesterday, what I repeated again tonight. But I didn't mean this. I must be careful. Yet what bothers me isn't the power of the magic or how, to a person, they've all accepted it as truth. No, what unsettles me the most is how much I want to believe it too.