What Hamlet suffers from is a lack of zombies. Let us say Rosencrantz and Guildenstern show up—Ho-HO! Now you’ve got something that stirs the, um, something that stirs things that are stirrable. BOOM! A pack of ravenous flesh-eaters breaks open their heads and sucks out their eyeballs. No need for iambic pentameter because they are grunting, groaning annihilators of humanity with no time for meter. You’re not asleep in the back of English class anymore, are you? This is what I’m talking about. Zombies. Learn it, live it, love it.

People see what they want to see when they need to.

Power changes everything till it is difficult to say who are the heroes and who the villains.

There are no safe choices. Only other choices.

With each shimmy, the bugle beads on their scandalously revealing costumes swung and shook. It was the sort of display Evie knew her mother would have found appalling—an example of the moral decay of the young generation. It was sexual and dangerous and thrilling, and Evie wanted more of it.

The wind picks up. It sends leaves scurrying for cover until a softer breeze blows through, settling them down again as if to say, Shhh, there, there, it's all right. One leaf still dances in the air. It spins higher and higher, defying gravity and logic, stretching for something just out of reach. It shall have to fall, of course. Eventually. But for now, I hold my breath, willing it to keep going, taking comfort in its struggle.

I change the world, the world changes me.