The WRITER of memoir gets incoming weirdness in very odd ways. I was recently talking to a memoir writer whose work just went meteoric - but some of the comments and communications and gestures she gets in the wake of that success are stunningly and atrociously over-personal, as if suddenly people feel like they know her and her life intimately, and have permission to transgress all her "life" boundaries.
Lidia YuknavitchThe practice of employing metaphor and image and composition and linguistic choices to move the reader through the content.
Lidia YuknavitchWe can't handle violence in women characters but we CAN handle what's done to women in our present tense every second of the day worldwide? Or next door? Or in political or medical discourse? Please. That idea just makes me want to crap on a table at a very fancy restaurant.
Lidia YuknavitchOne path I've used a lot is to deeply and thoughtfully consider a trope or a tradition, and then set about taking it apart - but only in the service of a character or story that deserves it. Another path I often employ is to put form into "play" - to set it free from its ordinary constraints and let it be free-floating and broken-apart and rearranged.
Lidia YuknavitchOnly the violent acts of men "count" toward something besides evil in a patriarchy. It is the male story of violence that is sanctioned both socially and aesthetically. The male hero and acts of heroism require violence. Everyone is okey dokey with that. We are only beginning to see that constricting set of truths open up a little.
Lidia YuknavitchFiction and poetry expose intimate things from a person's life every bit as much as memoir does, and sometimes more. I don't quite see or live the distinction you are making about the forms.
Lidia YuknavitchThe WRITER of memoir gets incoming weirdness in very odd ways. I was recently talking to a memoir writer whose work just went meteoric - but some of the comments and communications and gestures she gets in the wake of that success are stunningly and atrociously over-personal, as if suddenly people feel like they know her and her life intimately, and have permission to transgress all her "life" boundaries.
Lidia Yuknavitch