This is something I know: damaged women? We don't think we deserve kindness. IN fact, when kindness happens to us, we go a little berserk. It's threatening. Deeply. Because if I have to admit how profoundly I need kindness? I have to admit that I hid the me who deserves it down in a sadness well.
Lidia YuknavitchAspiration gets stuck in some people. It's difficult to think yes. Or up. When all you feel is fight or run.
Lidia YuknavitchWe can't handle violence in women characters but we CAN handle what's done to women in our present tense every second of the day worldwide? Or next door? Or in political or medical discourse? Please. That idea just makes me want to crap on a table at a very fancy restaurant.
Lidia YuknavitchThough I consider The Chronology of Water to be an anti-memoir for very precise reasons, it is an art form, and thus as open to "critique" as any other art form. Memoir has a form, formal strategies, issues of composition and craft, style, structure, all the elements of fiction or nonfiction or painting or music or what have you.
Lidia YuknavitchYour life doesnโt happen in any kind of order. Events donโt have cause and effect relationships the way you wish they did. Itโs all a series of fragments and repetitions and pattern formations. Language and water have this in common.
Lidia YuknavitchOne thing about humans is that we all have them - lifestories. We live by and through them. But writers of memoir are particularly good at bringing literary strategies and form to experience (at least the good ones are).
Lidia YuknavitchPoetry, for example, goes so deeply into the space between corporeal affect and deep emotion (even primal in some cases) that, as Emily Dickinson said, it can blow the top of your head off. Poetic language is sometimes misunderstood as "abstract" when in reality, it's precise - precisely the language of emotions and the body.
Lidia Yuknavitch