I love the walking contradiction of the body. I want to make corporeal characters, corporeal writing, I want to bring the intensities and contradictions and beauty and violence and stench and desire and astonishing physicality of the body back into literature.
Lidia YuknavitchBecause rage and violence are human emotions and drives and capacities that inhabit us all. SEE CARL JUNG. Or that hipster Joseph Campbell. Because we all take archetypal journeys in a million ways - literal, symbolic, you name it - that figure, disfigure, and refigure violence.
Lidia YuknavitchThe maternal impulse in animals to protect their young - that kind of instinct and subsequent violence is quite beautiful. Mythic even.
Lidia YuknavitchWhich is mightily ironic since one of the most common criticisms of American women novelists (it's a load of crap but it gets bandied about a good bit) is that they don't write the "big" stories about "universal" or "worldly" concepts...Jesus. Um, when we do? We get told to get back in the kitchen and bedroom - go back to writing about love-y wife-y mother-y things.
Lidia Yuknavitch