As soon as you know what you're doing, you're doing it wrong.

Style, no matter how outrageous it is, is still an expression of someone's personality. And my personality is somewhere stuck in the classics.

I am very good with dialects, but the two that I can't do for some reason are the South African and Australian.

I want to forget what I've learned about the character, but the reality is that you can't, because you've absorbed it. It's there in that moment when you need it. The hard part is to trust it.

I'm misrepresented as a scary person. I'm not. It's all about my size and my eyebrows.

You watch a hockey game, and the hand-eye coordination and the speed is really miraculous; how those guys track the puck alone, just following it with their eyes.

Hamlet is a remarkably easy role. Physically it's hard because it tends to be about three hours long and you're talking the whole time. But it's a simple role and it adapts itself very well, because the thing about Hamlet is, we all are Hamlet.