When you're in a place like New York or D.C. you just can't beat it, and it's so hard to recreate because they are both such distinctive places.

You can think about your career or you can think about your job. I like to think about my job.

Hamlet is a remarkably easy role. Physically it's hard because it tends to be about three hours long and you're talking the whole time. But it's a simple role and it adapts itself very well, because the thing about Hamlet is, we all are Hamlet.

I think it’s really, really important to mix it up as an actor, to try to get as much kind of varied experience as you can, not only for your own personal growth as an actor but for the audience to keep them guessing about what you’re going to do.

When you're in a place like New York or D.C. you just can't beat it, and it's so hard to recreate because they are both such distinctive places.

I'm drawn to people who share that sense of loss. All actors are trying to repair damaged relationships. I think that might be why I've been drawn to other actors.

Pitching. You're pitching yourself constantly which is probably why there are so many plays about sales. I think also it's like life.