For those who have lived on the edge of poverty all their lives, the semblance of poverty affected by the affluent is both incomprehensible and insulting.

Indeed, it is that ambiguity and ambivalence which often is so puzzling in women--the quality of shifting from child to woman, theseeming helplessness one moment and the utter self-reliance the next that baffle us, that seem most difficult to understand. These are the qualities that make her a mystery, the qualities that provoked Freud to complain, "What does a woman want?

How then can we account for the persistence of the myth that inside the empty nest lives a shattered and depressed shell of a woman--a woman in constant pain because her children no longer live under her roof? Is it possible that a notion so pervasive is, in fact, just a myth?

Sometimes we choose a friend who mirrors our fantasies, dreams of a self we wish we could be.

No revolution creates a wholly new universe. Rather, it reflects the history and culture that spawned it.

That myth--that image of the madonna-mother--has disabled us from knowing that, just as men are more than fathers, women are morethan mothers. It has kept us from hearing their voices when they try to tell us their aspirations . . . kept us from believing that they share with men the desire for achievement, mastery, competence--the desire to do something for themselves.

In our minds lives the madonna image--the all-embracing, all- giving tranquil mother of a Raphael painting, one child at her breast, another at her feet; a woman fulfilled, one who asks nothing more than to nurture and nourish. This creature of fantasy, this myth, is the model--the unattainable ideal against which women measure, not only their performance, but their feelings about being mothers.