Everything was just so spot on and character-building for me in terms of creating Celia [Bryant]. The ability to get to wear all these vintage pieces and immerse yourself in that world and get to wear all these amazing hats. And the shoes!

I love baking, it's the most calming thing for me. It's therapeutic, it makes the house smell good, and I get to take the goods to my friends. I do it for other people.

At first, I didn't hang out with celebrity kids. That wasn't the way I was brought up. I went to a run-of-the-mill Catholic primary school when we first moved to L.A. But then I went to a high school where there were lots of 'industry' children. Those weren't my best friends and I've never set out to make myself a part of that scene.

I do believe in listening to your mind as well that that you need to be smart about certain things, to protect yourself. You need a healthy mix of both really, but it's important not to think so much that you're not able to follow your heart.

I think it's just important to not judge people based on their physicality because it's really about personality and people's hearts and souls. That's what drew me to Audrey Hepburn who is kind of like my icon.

Celia [Brady] is a young woman who, you know, she's still got that fresh young vibe about her but at the same time she's quite wise beyond her years and very mature and she has that womanly, sexy quality, but at the same time she's very youthful in her clothes. She has that interesting mix between the two. I really love that balance about fashion.

I still think there is a huge emphasis on how women look, whether it's fitting a certain mold to play a certain type of character, or the idea that we might have insecurities based on the standards we see in the media.