To get to go from stage to set and back, it keeps you feeling very present, and I think that's always such a wonderful thing in your work because you don't really have time to be as neurotic as I might become.

I think every script I read has something that sends me into a state of panic but that usually makes me want to do it.

It's sort of scary to work with your parents when you're in the same business. But there was something so very safe about that. Acting with her was just like working with a wonderful actress who just happens to be my best friend and also my mother.

For me, work is so satisfying and it's giving me so much, it's nurturing me so much, that I think it sort of makes up for the sleep depravation.

When I was teeny tiny, I definitely had a voice that didn't quite match the way I looked at five.

You want to feel like people are hiring you because they want to work with you, not because of who your parents are.

I had never done a 90-minute play with no intermission, so it is a bit like you get onto the train and you don't get off until it's over - and it's over very quickly, so don't miss a moment of it. That experience is very rare and specific so don't miss a minute, because there aren't very many minutes of it.