It's very hard when you're doing a new play that you believe in, and you want to tell the story in the best way possible.

When I was teeny tiny, I definitely had a voice that didn't quite match the way I looked at five.

Theresa Rebeck's writing is so scarily funny. I just love how unapologetic she is with her writing: she doesn't try to make her characters likeable or heroic, she just really makes them human. Hopefully, the audience is able to love them in the end - or have whatever feelings that they want to have about all of them - but I love that she doesn't have that agenda. That is something that, as an actress, was really appealing to me; to just get to be in this group of people who are complicated and very human.

I really like when I read a scene and it scares me. That makes me excited.

Listen, a cable series is a beautiful thing because there's such amazing writing happening on television, and it's a schedule that allows you to do a play or two. There's a reason everybody wants that job!

So, for the most part, I really like when I read a scene that scares me and makes me sweat a little bit, thinking about doing it. That's usually a good sign to me.

The only thing that matters is the theater!