The wonderful thing about films is how they can be understood by so many different people on so many different levels.

if I love something I do it, and if I don't, I don't. I think that this is the most important choice that any of us can make in life, in art, in history: to do the thing you love. If you love it, it is important. If you love it then while you are doing it, you are a true expression of yourself and your time and your story. You are authentic. If you don't love it you betray not only yourself but also your history, your culture, your position in your society.

What is important is not that you have a defeat but how you react to it. There is always the possibility to transform a defeat into something else, something new, something strong. All the good stories, all the people we remember are the ones who do this, who make victories out of their failures. Because the victories teach nothing. The victories are not useful. They are often dangerous.

When you can use dirty words in every situation with everyone, that's a real big liberation.

My two souls, the socially conscious one and the lighthearted one, are always in my movies because they find a perfect habitat in my grotesque style, which combines tragedy and humor, irony and sarcasm, comedy and drama. I also feel that rules are made to be broken, especially in art! I prefer creative disorder to strict rules.

I don't think suicide is so terrible. Some rainy winter Sundays when there's a little boredom, you should always carry a gun. Not to shoot yourself, but to know exactly that you're always making a choice.

When you make many films with the same actors you can develop a special understanding with them. I love working with people I know and that I trust.