While photography to Cartier-Bresson is constantly an intuitive process, it is never purely instinctive. It is founded on continuous intellection, on ceaseless consideration during all moments previous to, or preparatory for, the pressing. It does not only operate in the blinding flash of a moment seized; it works all the time. The snatched picture merely cuts across the vein of observable incident or accident which is always beating, whether or not the fingers actually press.

She was chronologically in luck. She corresponded to necessity.

If one had to define one essential gift with which a dancer needs to be endowed, there might be a rush of answers. A beautiful body, grace of line, graciousness of spirit, joy in the work, ability to please, unswerving integrity, relentless ambition towards some abstract perfection. Certainly all these factors determine a dancer's character, and every element exists in some combination within the performing artist's presence.

The candid camera is the greatest liar in the photographic family.... It is anarchic, naïve, and superficial.

Transplanting the ballet to the United States is like trying to raise a palm tree in Dakota.

While photography to Cartier-Bresson is constantly an intuitive process, it is never purely instinctive. It is founded on continuous intellection, on ceaseless consideration during all moments previous to, or preparatory for, the pressing. It does not only operate in the blinding flash of a moment seized; it works all the time. The snatched picture merely cuts across the vein of observable incident or accident which is always beating, whether or not the fingers actually press.

The domain of the ballet dancer is not earth but air.