One of my favorite things to do is not to speak on screen. In theater it's different because there's a lot of emphasis on language - it's a different medium. But that is one of the most wonderful things about film. A person's face can say so much more than their voice can.

I think when things happen in our lives that we can't truly understand why they destroy us, it's because we can't truly understand or communicate it to anyone else. And that is what is destructive - you can't communicate it to the people that you love and it makes things deteriorate. Or you're hiding from yourself, or you're hiding from somebody else, and that was really fascinating to me... that life isn't like the movies and you can't always point to one thing and explain why you did things that ended up hurting you.

I've been very lucky to have been chosen for and to have chosen roles that are good. Some are better than others and some projects are better than others, whether it's female or male characters. There's still more that we can do and there's still more stories to be told. I would love to see more female-driven projects in general.

The one thing about being on 'ER' that has changed is that I'm more easily recognizable.

Just because someone isn't working at an office doesn't mean they're not working hard at something.

I enjoy playing characters where I get to sort of change my look, my voice. It's not about what she wears, it's about what she's got inside.

I remember when I took the role on E.R., I thought, 'I haven't really been able to play a working class woman. I've played girls, I've played funny, but I haven't played a working class woman. That sounds like something I'd like to do.