The one thing about being on 'ER' that has changed is that I'm more easily recognizable.

I think some of the most important things we read about other people occurs from being able to read their faces and their eyes and their body and those kinds of things.

People are drawn to watching things that are dramatic. And the tighter a relationship is, the more dramatic it can be. That's something family lends itself to. Everybody has family, somewhere, somehow. Those relationships are always very complex. This takes it to almost Greek-tragedy-level heights. That's fun to watch, although it's very uncomfortable. It explores the darkest sense of family.

I always had something to think about or draw from, which as an actor is a gift. The beautiful thing about film is that it gets so much closer than stage. I love stage and that's what I started doing and it's a beautiful art form in of itself, but in film you can move your eyes to the side and somehow the audience can fill in the blanks of what you're thinking.

Just because someone isn't working at an office doesn't mean they're not working hard at something.

Being raised Catholic myself, I think people who are Catholic tend to carry a lot of guilt. It's almost a joke.

I've been very lucky to have been chosen for and to have chosen roles that are good. Some are better than others and some projects are better than others, whether it's female or male characters. There's still more that we can do and there's still more stories to be told. I would love to see more female-driven projects in general.