I definitely feel that plot flows from character. I dont believe that you can construct a plot and insert people into it.

Writers are first and foremost observers. We lose ourselves in the watching and then the telling of the world we find. Often we feel on the fringes, in the margins of life. And that's where we belong. What you are a part of, you cannot observe.

It's strange how memory gets twisted and pulled like taffy in its retelling, how a single event can mean something different to everyone present.

And we stood like that. The joining of hands is highly underrated in the acts of intimacy. You kiss acquaintances or colleagues, casually to say hello or good-bye. You might even kiss a close friend chastely on the lips. You might quickly hug anyone you knew. You might even meet someone at a party, take him home and sleep with him, never to see him or hear from him again. But to join hands and stand holding each other that way, with the electricity of possibilities flowing between you? The tenderness of it, the promise of it, is only something you share with a few people in your life.

The Universe doesn't like secrets. It conspires to reveal the truth, to lead you to it.

Bored people looked for drama and caused trouble.

A child who's been injured by a parent waits her whole life for some acknowledgment of the wrong that's been done, some validation from him that her pain is real, that he's sorry and will make amends. The child will wait forever, unable to move forward, unable to forgive, without someone to acknowledge the past. In that powerlessness comes a terrible rage.