I think it's really important as an artist not to be drawn to the haters, because there are so many people who are nice and quiet.

You always feel very vulnerable when you put your work out there. You feel a kind of nakedness. And you expose something of the inner workings of the way you experience life.

I wanted to paint pictures of people. I thought, "Why bother doing anything else. Everything else is a waste of time. I want to tell stories about people and their feelings and emotions."

It's easy to attack an artist as misogynist, but that's really such a facile epithet. And if an artist is constantly worrying about how others will judge a work, it can end up being a block to investigating certain areas of human nature or certain truths about sexuality.

A good film is always nourishing. It's not about it being hopeful or bleak; it's about how it touches you, how it moves or stirs you.

I think great art goes beyond the control of the artist. In some ways, art often makes itself and reveals things about that artist that maybe the artist is not fully conscious of.

I think one important thing that happens in the studio is accepting yourself as the enemy and painting from that point of view. So instead of pointing the finger outward and passing judgment, instead, you start with yourself as your own worst enemy.