You always feel very vulnerable when you put your work out there. You feel a kind of nakedness. And you expose something of the inner workings of the way you experience life.

I was looking at books and reading the indexes and finding a next book and reading that book, and then from that index ... It was a version of surfing the internet before the internet. I was surfing the New York Public Library. It was back when you had to fill out a form and put it in a chute.

I think great art goes beyond the control of the artist. In some ways, art often makes itself and reveals things about that artist that maybe the artist is not fully conscious of.

I wanted to paint pictures of people. I thought, "Why bother doing anything else. Everything else is a waste of time. I want to tell stories about people and their feelings and emotions."

I think it's important to make art that is not that easily absorbable, that is a challenge to the authorities.

I think one important thing that happens in the studio is accepting yourself as the enemy and painting from that point of view. So instead of pointing the finger outward and passing judgment, instead, you start with yourself as your own worst enemy.

A good film is always nourishing. It's not about it being hopeful or bleak; it's about how it touches you, how it moves or stirs you.