The snapshooter’s pictures have an apparent disorder and imperfection, which is exactly their appeal and their style. The picture isn’t straight. It isn’t done well. It isn’t composed. It isn’t thought out. And out of this imbalance, and out of this not knowing, and out of this real innocence toward the medium comes an enormous vitality and expression of life.

I am a pationate lover of the snapshot, because of all photographic images, it comes closest to the truth ... the snapshooter['s] pictures have an apparent disorder and imperfection which is exactly their appeal and their style.

I am a passionate lover of the snapshot, because of all photographic images it comes closest to truth.

Speed, the fundamental condition of the activities of our day is the power of photography, indeed the modern art of today, the art of the split second.

The snapshot has no pretense or ambition. Innocence is the quintessence of the snapshot. I wish to distinguish between innocence and ignorance. Innocence is one of the highest forms of being and ignorance is one of the lowest.

This photographic thing has changed the entire vision of the world. It will go through every activity of humanity - science, medicine, space, ESP, for peace, against peace, entertainment, television, movies, all of them - you will not find one without photography.

Photography starts with the projection of the photographer, his understanding of life and himself into the picture.