Yeah, unfortunately [ films like Miss Julie are a dying breed]. And that is sad, because we need these. Like we need books, we need classical music, we need ballet, we need opera, to remind us really of who we are and why we are, and we need in movie houses - even to be in a movie - where you sit and see not only excitement and man-hero, woman-hero, you need quietly, just like that Hawking movie we talked about, to know how people overcome.

I do not want to arrive at the end of life and then be asked what I made of it and have to answer: 'I acted.' I want to be able to say: 'I loved and I was mystified. It was a joy sometimes, and I knew grief. And I would like to do it all again.'

What I have always loved most in men is imperfection. I get moved by the wrinkles on the throat of a man. It makes me love him more. I think it is sad that more women don't take the chance that maybe men will be moved by seeing the chin a little less firm than it used to be, that a man will be more in love with his wife because he remembers who she was and sees who she is and thinks, God, isn't that lovely that this happened to her. And be moved by life telling its story there.

The void Papa's death left in me became a kind of cavity, into which later experiences were to be laid.

Choice is the essence of what I believe it is to be human.

We need feminist voices today, you know. In my time, we had incredible feminist voices and I'm sure we have it today, too, but in all the massive outlets, maybe the one or two or three voices are somehow disappearing.

One of the things I like about my profession, and that I find healthy, is that one constantly has to break oneself to pieces.