Yeah, unfortunately [ films like Miss Julie are a dying breed]. And that is sad, because we need these. Like we need books, we need classical music, we need ballet, we need opera, to remind us really of who we are and why we are, and we need in movie houses - even to be in a movie - where you sit and see not only excitement and man-hero, woman-hero, you need quietly, just like that Hawking movie we talked about, to know how people overcome.

You see that a lot in movies, and today you see it more in movies that are made, because I feel more movies are made towards groups than towards individuals, and they're made more for mass media than for sitting in a movie house allowing it to happen.

We are equal human beings, and we were born with evil and anger and misunderstanding of what a man is, and so we are as needy and wanting to be part of him, as he, obviously, was needing and wanting to be part of us. And that's why I've really taken the freedom, because it's an adaptation, to give her a voice.

The void Papa's death left in me became a kind of cavity, into which later experiences were to be laid.

Nobody is one block of harmony. We are all afraid of something, or feel limited in something. We all need somebody to talk to. It would be good if we talked to each other, not just pitter patter but real talk. We shouldn't be afraid, because most people really like this contact; that you show you are vulnerable makes them free to be vulnerable too. It's so much easier to be together when we drop our masks.

I do not want to arrive at the end of life and then be asked what I made of it and have to answer: 'I acted.' I want to be able to say: 'I loved and I was mystified. It was a joy sometimes, and I knew grief. And I would like to do it all again.'

reality can be magnificent even when life is not.