I knew that collaborating on songwriting would be difficult for a lot of people, because I was known very much, for my independence and the fact that I wrote these quirky songs that were not typical structure, not typical sound - you know, really original stuff.

Young kids don't have their identity, so everything is so important. Now I'm mature. I know who I am and I know what my thing is and I know what I'm bringing. It's very clear and defined.

I always give the encore over to chaos, so people can yell out requests and I can hack my way through a song that I don't really know anymore.

You have to do what you need to do as an artist. You have to have that courage.

I love scoring. Putting music to picture is a rewarding challenge and one that relies on interpretation of emotion - as in, what is the pivotal feeling in a scene and which character's point of view is driving it at any given moment?

I don't think anything I do in life is planned. Sometimes I regret that and I feel like I try to take ahold of the wheel, but I'm also always super excited when things pop up spontaneously and when I'm a little bit out of my depth. I just find that that thrills me.

I would argue that the uncomfortable feelings she elicits are simply the by-product of watching a woman wanting and taking like a man.