Well, if you've got a one-in-a-million girl don't let her get away; cause the next one-in-a-million girl is a million girls away.

I knew that collaborating on songwriting would be difficult for a lot of people, because I was known very much, for my independence and the fact that I wrote these quirky songs that were not typical structure, not typical sound - you know, really original stuff.

I don't think anything I do in life is planned. Sometimes I regret that and I feel like I try to take ahold of the wheel, but I'm also always super excited when things pop up spontaneously and when I'm a little bit out of my depth. I just find that that thrills me.

I don't have the same access or time to gain access to music the way I used to.

It seems to me like the Internet allows you to break that structure a little bit. You know, here's your CD that's going into stores, here's your EP that you offer online, here's a subscription for songs you recorded on the road, here's your live stuff streaming.

My identity has everything to do with me and my instrument. It doesn't have to do with what production style I use, or how many people played on it, whether it's sparse or grandiose or whatever. And I'm social, frankly.

I don't know why it surprises people that I surprise them.