My mother was an artist and highly strung, whereas my father was much calmer.

I consider myself an actress first, a dancer second, and a singer third. Why? Because the dancer needs a reason to move-that's the actor informing the dancer. So I worked on my acting and gradually developed a singing voice.

(on Marilyn Monroe) I was walking down Broadway with her and nobody was stopping us. She was going to (Stella Adler's) actors' studio, and she was taking me to show me what it was all about. And I said to her: "How come nobody is taking your picture?" She said: "Well, watch." She took her scarf off, straightened her shoulders, and draped something another way, and we were surrounded. It must have been 400 people. And I said: "Now I know why!"

The director, of course, was Bob Fosse. But again, I worked with my father to prepare for the role.

I know that. I'm having a ball. I'm not slap happy. I'm just filled up with joy and with peace and with all kinds of things that have eluded me for quite a few years. And they're back and they're thriving.

I'm always looking at the next thing. I'm too curious to look back...it's very hard to be unhappy when you're curious and grateful. You're busy. You don't have time to be unhappy. My biggest talent is I know who is more talented than I am. I find them and I go to them, and I learn.

You see, that's another thing that my parents gave me: an enormously great sense of humor.