So every time I rap about being a big girl in a small world it's doing a couple things: it's empowering my self-awareness, my body image, and it's also making the statement that we are all bigger than this, we're a part of something bigger than this, and we should live in each moment knowing that.

When I was born, my father named me Melissa, and I am still Melissa but I got the nickname Lizzo around the time I was in the Cornrow Clique. I'm from Houston, so naturally, everyone dropped the second syllable of your name and just put an "O" there.

Just about anybody is a big girl in a small world but you gotta believe it on the inside, that you can be bigger than the rest of it.

You know what I want, above all things? I want people who are aware of my music right now, to believe in change.

When I first saw Destiny's Child, I was in the fifth grade, and it made me want to sing and make music and there would be these freestyles on the radio for what seemed like hours, it was just so cool to me. So all of these influences and these styles started to blend together. Eventually, that evolved into me finding the indie scene in Houston. When I was 19, I joined a rock band, and that's when I began to say, "Okay, this is something that I could take seriously."

So if you can make it through, you know you've got something good, you can handle anything. We've been blessed to grow but at the same time, the hard part is having to wear every single hat. It's exhausting, but it's entirely worth it because on the flip side, the best part about being a touring musician is being a touring musician.

Generally, it's all of this subconscious stuff. I didn't even know what Lizzobangers was about until it was mastered and I got to listen to it.