There's definitely a luxury to the fluidity of not being a mega-star. I've done a ton of really, really odd, off-the-wall movies. There's this movie I did called 'Queens of Country' a couple of summers ago that is so bananas, and if I was at a certain level, I probably would not have done that movie.

On True Blood — I've never told anybody this—but I was so nervous and I was so drunk that after I shot the scene I was going up to the crew members — and I had just met all these people the day before — and I was going up to all of them like, 'You got a boner! You do! You've got one!' It was horrible. Horrible!

On Masters of Sex, especially in the pilot, everybody was showing up word-perfect, and youre expected to show up word-perfect.

I become an actress to do things that scare the sh*t out of me and I felt like I didn't stand a chance to get this part because people have preconceived notions about me, but if they gave me the part, I would do everything in my power to not screw it up.

None of my friends are in the entertainment industry.

I'm actually really proud of how I believe people perceive me in this industry. I worked really hard to be seen in a certain way. I think I get a lot of respect for what I usually do. I find that comedic world completely fulfilling and wonderful and they're all my best friends.

I'm extra harsh on pilot scripts, which is difficult because pilots, generally, are not that great. You have to imagine the whole series instead of just that one script, and I have a really hard time doing that.