I'm really awkward when people recognize me. I'm not good at it, and for the most part it hadn't happened to me until 'True Blood,' and then, all of a sudden, it started happening all the time.

The family you were raised in, the time period you were born in, and the part of the country you're in absolutely shape your view on sex, which shapes a huge part of anybody's personality.

It took me a long time to realize that being a girl is so much more powerful than being a guy, but I really saw myself as boy for a long while.

I find that working with friends is always the goal, even if it's just one person. Because the comedy community is kind of insular, it's easy to run into people you've worked with, even if you worked with someone on something for a day, or whatever. It just makes it more comfortable.

I find that break-ups are so much easier when you can hate the person.

I've always been really selective. I just didn't have the right to be as selective in other years, I guess. It's very difficult to commit so much of your life to go shoot something that you think sucks, so I'd rather do nothing than go work on something that I really hate. Obviously, there are moments where you have to take jobs for money, everybody needs to pay their rent or whatever.

I'm extra harsh on pilot scripts, which is difficult because pilots, generally, are not that great. You have to imagine the whole series instead of just that one script, and I have a really hard time doing that.