The vitality of a new movement in Art must be gauged by the fury it arouses.
I like to walk down Bond Street, thinking of all the things I don't desire.
Eat with the rich, but go to the play with the poor, who are capable of joy.
Those who talk on the razor-edge of double-meanings pluck the rarest blooms from the precipice on either side.
The notion of making money by popular work, and then retiring to do good work, is the most familiar of all the devil's traps for artists.
If it's to be, it's up to me.