As soon as I saw myself beginning to be way too comfortable on a film set or TV set, and not stimulated by it the way that I had been that had brought me to want to be there professionally and creatively, was the moment that I started getting really, really sad. I decided, "Okay, I just want to actually be here, how can I make this be interesting for me?"

The classical music scene was completely unfamiliar to me. A lot of people think of older generations and stuffiness. But it's not. You listen to the Overture of 1812, and you can hear a rock n' roll catharsis.

I love acting so much, but listening to music and making music has been the greatest savior for me.

When I have no idea what to do with how I'm feeling, I generally make a song out of it.

Perhaps like attracts like, and that's why I found myself in a circle of women who are so passionate about making music.

The idea of choosing something that you want to be, that you identify as, at a young age and pursuing that without question - for me that was acting.

If you're not an actor, or if you're any other kind of artist, there's this sense that, "I must express this thing." Why make a painting if you don't feel like you have to for something inside of yourself? Why make a song if you don't feel like you have to because there's something that you need to get out? And when you're an actor and you're not performing text that you've written, I think there's this bizarre disconnect with the must-ness of it.