All my best girlfriends play guitar now, which is kind of a funny world to live in.

You don't have that interaction with the audience when you're acting for film; you're kind of acting in a vacuum. You're acting for a disinterested grip who just wants to reply to his wife about what time he'll be home for dinner. Everyone else on a film set is also there because they're paid to be there. They're not there because they're passionate about what you do necessarily.

If you're not an actor, or if you're any other kind of artist, there's this sense that, "I must express this thing." Why make a painting if you don't feel like you have to for something inside of yourself? Why make a song if you don't feel like you have to because there's something that you need to get out? And when you're an actor and you're not performing text that you've written, I think there's this bizarre disconnect with the must-ness of it.

I love acting so much, but listening to music and making music has been the greatest savior for me.

You perform the thing that you made, that's inside of you, and to subject that to any kind of scrutiny is terrifying. It's still terrifying to me.

The classical music scene was completely unfamiliar to me. A lot of people think of older generations and stuffiness. But it's not. You listen to the Overture of 1812, and you can hear a rock n' roll catharsis.

All my best girlfriends play guitar now, which is kind of a funny world to live in.