The classical music scene was completely unfamiliar to me. A lot of people think of older generations and stuffiness. But it's not. You listen to the Overture of 1812, and you can hear a rock n' roll catharsis.

The classical music scene was completely unfamiliar to me. A lot of people think of older generations and stuffiness. But it's not. You listen to the Overture of 1812, and you can hear a rock n' roll catharsis.

I'm going to be a better actor, or I'm going to try to be a better actor. I'm going to try to be a better musician. I'm going to be an artist instead of just this one thing.

You don't have that interaction with the audience when you're acting for film; you're kind of acting in a vacuum. You're acting for a disinterested grip who just wants to reply to his wife about what time he'll be home for dinner. Everyone else on a film set is also there because they're paid to be there. They're not there because they're passionate about what you do necessarily.

There's something really natural to me about being what they call in the business a "hyphenate." Being a musician-actor or writer-musician-actor.

I had no kind of work ethic and I always felt that music - especially rock 'n' roll - was a more for boys.

I guess I was always envious of people who got to move to New York for college because they got to see the city that I, perhaps, was pretty jaded by with new eyes and discover for themselves that Andy Warhol was dead.