It has been said that great art is the night thought of man. It may emerge without warning from the soundless depths of the unconscious, just as supernovas may blaze up suddenly in the farther reaches of void space.

Man is always marveling at what he has blown apart, never at what the universe has put together, and this is his limitation.

Though men in the mass forget the origins of their need, they still bring wolfhounds into city apartments, where dog and man both sit brooding in wistful discomfort. The magic that gleams an instant between Argos and Odysseus is both the recognition of diversity and the need for affection across the illusions of form. It is nature's cry to homeless, far-wandering, insatiable man: "Do not forget your brethren, nor the green wood from which you sprang. To do so is to invite disaster.

We cannot pluck a flower witout disturbing a star.

One does not meet oneself until one catches the reflection from an eye other than human.

I love forms beyond my own, and regret the borders between us

Nothing grows among its pinnacles; there is no shade except under great toadstools of sandstone whose bases have been eaten to the shape of wine glasses by the wind. Everything is flaking, cracking, disintegrating, wearing away in the long, inperceptible weather of time. The ash of ancient volcanic outbursts still sterilizes its soil, and its colors in that waste are the colors that flame in the lonely sunsets on dead planets.