We are one of many appearances of the thing called Life; we are not its perfect image, for it has no perfect image except Life, and life is multitudinous and emergent in the stream of time.

Mind is locked in matter like the spirit Ariel in a cloven pine. Like Ariel, men struggle to escape the drag of the matter they inhabit, yet it is the spirit that they fear.

I once saw, on a flower pot in my own living room, the efforts of a field mouse to build a remembered field. I have lived to see this episode repeated in a thousand guises, and since I have spent a large portion of my life in the shade of a nonexistent tree I think I am entitled to speak for the field mouse.

Great minds have always seen it. That is why man has survived his journey this long. When we fail to wish any longer to be otherwise than what we are, we will have ceased to evolve. Evolution has to be lived forward. I say this as one who has stood above the bones of much that has vanished, and at midnight has examined his own face.

Lights come and go in the night sky. Men, troubled at last by the things they build, may toss in their sleep and dream bad dreams, or lie awake while the meteors whisper greenly overhead. But nowhere in all space or on a thousand worlds will there be men to share our loneliness.

It has been said that great art is the night thought of man. It may emerge without warning from the soundless depths of the unconscious, just as supernovas may blaze up suddenly in the farther reaches of void space.

Though men in the mass forget the origins of their need, they still bring wolfhounds into city apartments, where dog and man both sit brooding in wistful discomfort. The magic that gleams an instant between Argos and Odysseus is both the recognition of diversity and the need for affection across the illusions of form. It is nature's cry to homeless, far-wandering, insatiable man: "Do not forget your brethren, nor the green wood from which you sprang. To do so is to invite disaster.